Press July 9, 2020

Terilyn Shropshire, ACE and Director Gina Prince-Bythewood on Being Historical Firsts for THE OLD GUARD

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Press July 7, 2020

THE OLD GUARD Editor Terilyn Shropshire, ACE on Cutting to the Heart of the Action

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Press July 7, 2020

The Cinematography Podcast: DP John Brawley Discusses THE GREAT, Creating His Visual Manifesto for the Satiric Show, and More

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Press July 6, 2020

Depth of Emotion | DP Oren Soffer on Short SEE YOU SOON

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Press July 6, 2020

Monica Raymund ELLE Feature, Photos by DP Tari Segal

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Press July 3, 2020

Devil In The Details | DPs Ben Kutchins and Armando Salas, ASC on OZARK S3

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Press June 30, 2020

OZARK S3 | The Backdrop with Armando Salas, ASC

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Press June 30, 2020

Netflix Debuts Short Film Collection HOMEMADE, Featuring Work by DP John Guleserian and DP Daria D'Antonio

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Press June 29, 2020

First Trailer for PSYCH 2: LASSIE COME HOME, Costume Design by Michelle Hunter

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Press June 26, 2020

Mississippi Burning | Director of Photography Nicola Daley, ACS on PARADISE LOST

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Press June 26, 2020

YES, GOD, YES, Lensed by Todd A. Somodevilla, Gets Release Date and Trailer

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Press June 24, 2020

ASC Clubhouse Conversations — OZARK with DP Armando Salas, ASC

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Press June 23, 2020

Why CANDYMAN, Lensed by John Guleserian, Is The Most Important Horror Movie Of 2020

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Press June 22, 2020

Unlikely Heroes | The Production Design of THE BOYS by Dave Blass

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Press June 19, 2020

STUMPTOWN | Building a World of Graphic Reality with Production Designer Corey Kaplan

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Press June 18, 2020

First Look at UPSIDE-DOWN MAGIC, Production Design by Bill Boes

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Press June 17, 2020

Women In Media Pride Virtual Brunch Featuring DP Sandra Valde-Hansen

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Press June 15, 2020

How Costume Designer Ashley Heathcock Turned a Chance Encounter Into a Career

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Press June 12, 2020

ASC Welcomes Armando Salas as a New Member

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Press June 11, 2020

SPACE FORCE | The Backdrop with Costume Designer Kathleen Felix-Hager

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Press June 11, 2020

GREENLAND, Production Design by Clay Griffith: Gerard Butler STX Action Movie Sets Late July Opening

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Press June 10, 2020

The Best TV Shows of 2020, So Far - Featuring Work from DP John Brawley and DP Rhet Bear

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Press June 8, 2020

Creator Tony McNamara On Mixing Funny With Formality in THE GREAT, Lensed by John Brawley

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Press May 28, 2020

McDonald's "Light's On" Ad Brought Together Various DPs From Across the US, Including Bjorn Amundsen and Sean Porter

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Press May 27, 2020

Review: RAMY Season 2, Lensed by Claudio Rietti — A Saintly Sinner’s Superb Return

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Press May 25, 2020

"Not a Gun" Campaign, Lensed by Jace Ford, Highlights Racially Biased Police Violence

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Press May 21, 2020

THE ALIENIST: ANGEL OF DARKNESS, Producer by Pavlina Hatopius and Production Design by Ruth Ammon, Gets Premiere Date and Trailer

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Press May 20, 2020

First Look and Trailer: Charlize Theron’s Immortal Warrior in THE OLD GUARD, Edited by Terilyn A. Shropshire, ACE

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Press May 20, 2020

Sia Premieres ‘Together,’ Production Design by Leigh Poindexter, From Her Upcoming Album and Film MUSIC

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Press May 20, 2020

Check Out Olympic Swimmer Simone Manuel's New BIC “Game On” Campaign, Lensed by Spenser Nottage

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Press May 18, 2020

SNOWPIERCER, Costume Design by Cynthia Summers, Series Premiere Tops Sunday Cable Programming

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Press May 17, 2020

Elle Fanning on Growing Up and THE GREAT, Lensed by John Brawley

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Press May 15, 2020

The Academy Celebrates 20th Anniversary of LOVE & BASKETBALL, Edited by Terilyn A. Shropshire, ACE

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Press May 13, 2020

ASC Spring 2020 Photo Gallery Featuring Work by Gregg Heschong, ASC

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Press May 13, 2020

DP Scott Peck on the Different Lenses that Helped Bring STARGIRL to Life

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Press May 12, 2020

Check Out THE GOOD LORD BIRD! With Work by IA Clients: Shea Kammer, Padraic McKinley, O'Shea Read, Sue Blainey, ACE & Christopher Nelson, ACE

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Press May 8, 2020

EB Studios Artist Spotlight with Costume Designer Ashley Heathcock

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Press May 8, 2020

Review: THE GREAT, Lensed by John Brawley

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Press May 6, 2020

Review: DEAD TO ME S2, Edited by Nicole Brik, Is Even Wilder

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Press May 5, 2020

First Look and Trailer: SPACE FORCE, Costume Design by Kathleen Felix-Hager

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Press May 5, 2020

THE BLACKLIST, Production Design by Nick Lundy, Uses Graphic Novel-Style Animation To Finish Season 7 Finale

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Press May 5, 2020

In His Latest Comedy Special Jerry Seinfeld Jumped Out of a Helicopter, Lensed by Jay Feather

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Press April 26, 2020

Review: INSECURE's Best Episode Yet, Directed by Mark Sadlek

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Press April 25, 2020

Review: NEVER HAVE I EVER, Lensed by Rhet Bear, is a Smart, Sweet Teen Romp

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Press April 25, 2020

Nicola Daley, ASC: Shooting Paradise

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Press April 24, 2020

Review: 1BR, Edited by Rich Fox

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Press April 17, 2020

Review: ENDINGS, BEGINNINGS, Produced by Paul Davis

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Press April 15, 2020

KNIVES OUT, Lensed by Steve Yedlin ASC, Ranks No. 18 On 2019 Most Valuable Blockbuster Tournament

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Press April 15, 2020

Review: OUTER BANKS, Produced by Tim Iacofano

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Press April 9, 2020

LUCY IN THE SKY | Navigating the Journey from Space to Earth with Production Designer Stefania Cella

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Press April 8, 2020

HOMECOMING S2, CD Molly Maginnis and ED Matt Ramsey, First Trailer and Date Announcement

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Press April 7, 2020

DP Catherine Goldschmidt's Smart Solutions for Quibi’s DUMMY

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Press April 1, 2020

ASC Close-Up: Gregg Heschong

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Press March 31, 2020

Jake Pushinsky, ACE on the Art of the Cut Podcast

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Press March 27, 2020

ASC Close-Up: Todd A. Dos Reis

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Press March 26, 2020

Review: OZARK Season 3, Lensed by Ben Kutchins and Armando Salas

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Press March 17, 2020

STARGIRL Review: A Musical Charmer, Lensed by Bryce Fortner

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Press March 10, 2020

Eric Branco Named One of AC’s Rising Stars of Cinematography

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Press March 10, 2020

Review of Client Brent Crowell's Most Recent Episode of THE FLASH

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Press March 8, 2020

"Family Business: Supernatural" - Serge Ladouceur, CSC's Feature in American Cinematographer

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Press March 6, 2020

Quibi Announcement: Featuring Work of DPs Topher Osborn and Luca Del Puppo

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Press March 6, 2020

Costume Designer Ashley Heathcock on MAGNUM P.I. and Her Team

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Press March 4, 2020

5 Tips from Acclaimed Editor Michael Ruscio, ACE

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Press February 18, 2020

THE CALL OF THE WILD Editor David Heinz Opens Up About Adapting the Beloved Novel

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Press February 16, 2020

Interview: David Heinz Talks THE CALL OF THE WILD, Editing, and More!

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Press February 13, 2020

Review: THE PHOTOGRAPH, Production Design by Loren Weeks, Casts a Seductive if Intermittent Spell

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Press February 6, 2020

Cinematographer Steve Yedlin, ASC Wants to End the Film-vs.-Digital Debate

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Press February 6, 2020

Costume Designer Elisabeth Vastola Discusses All the Fashion References in the KATY KEENE Pilot

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Press February 5, 2020

LA Times Review: BRIARPATCH, Edited by Gina Hirsch, and INTERROGATION, Lensed by John Newby, ASC

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Press January 25, 2020

Review: SPREE, Lensed by Jeff Leeds Cohn, is like Joker for the Extremely Online Generation

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Press January 17, 2020

Zac Efron Stars in New Campaign for Bombas Socks Lensed by DP Luca Fantini

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Press January 14, 2020

KNIVES OUT DP Steve Yedlin, ASC's Interview on Go Creative Show

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Press January 13, 2020

Great Movies Completely Rejected by the 2020 Oscars Featuring Work by Innovative Clients

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Press January 8, 2020

PARTY OF FIVE (Production Design by Randal Groves) is Both Nostalgically Sweet and Bracingly Current

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Press January 1, 2020

Loren Weeks, Production Designer of DICKINSON, Featured in ICG Magazine

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Press December 30, 2019

Production Designer Corey Kaplan Opens Up About TRUTH BE TOLD, THE X-FILES, And More

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Press December 26, 2019

How CLEMENCY Cinematographer Eric Branco Went From Acting to Behind the Camera

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Press December 20, 2019

Work by Innovative Artists' Clients Featured in 2019's Most Watched Shows Worldwide

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Press December 18, 2019

LOST IN SPACE Season Two Is an "Immersive Adventure", Edited by Mark Hartzell, Costume Design by Christine Thomson

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Press December 11, 2019

STAR WARS Editor Maryann Brandon Balances Story and Character

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Press December 2, 2019

KNIVES OUT Director of Photography Steve Yedlin Featured in Indie Wire's Oscar Cinematography Survey

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Press December 1, 2019

Privacy Policy- December 2019

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Press November 30, 2019

TRUTH BE TOLD Showrunner Discusses Adapting the Series for Apple TV+, Production Design by Corey Kaplan

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Press November 22, 2019

KNIVES OUT is a Criminally Good Time, Featuring Sharp Cinematography by DP Steve Yedlin

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Press November 21, 2019

How the 1970s came to Los Angeles in Eddie Murphy’s DOLEMITE IS MY NAME, Production Design by Clay Griffith

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Press November 21, 2019

Amazon Drops New Teaser Trailer for HUNTERS, Featuring Work by DP Tim Norman, Editors Matt Barber, Amy Duddleston, and Elba Sanchez-Short

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Press November 15, 2019

CROWN VIC: "Graceful, Visual Consistency" by DP Thomas Scott Stanton

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Press November 14, 2019

Sony's Marvel Universe to Release MORBIUS July 2020, Production Design by Stefania Cella

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Press November 14, 2019

Get a First Look at Netflix's New Sketch Series THE ASTRONOMY CLUB, lensed by DP Robert. E Arnold

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Press November 13, 2019

CD Molly Maginnis Discusses Season 2 of HOMECOMING

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Press November 11, 2019

Amazon's THE VOYEURS Finds Its Cast, Production Design by Adam Reamer

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Press November 7, 2019

STAR WARS and CARRIE Editor Paul Hirsch Interviewed By Variety

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Press November 6, 2019

PD Loren Weeks' "Transcendent" Set of DICKINSON Featured in Architectural Digest

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Press October 31, 2019

Watch The Final Season Trailer of "Man In The High Castle", Costume Designer Catherine Adair

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Press October 29, 2019

Apple TV's SEE is a "Visual Spectacle", Aided by Clients Ian Seabrook (Underwater and 2nd Unit DP) and Roger Vernon (2nd Unit DP)

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Press October 23, 2019

HBO's "Mrs. Fletcher", Edited by Mark Sadlek and Deb Simone Drops on October 27th

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Press October 22, 2019

Here Comes the Next Season of Silicon Valley, Lensed by Tim Suhrstedt

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Press October 22, 2019

"Greener Grass" Review: "Fabulous Production Design" by Leigh Poindexter

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Press October 21, 2019

"Dolemite is My Name" Production Designer Clay Griffith Interviewed at The Academy

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Press October 18, 2019

"Looking for Alaska" Review: Edited by Matt Ramsey

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Press October 17, 2019

Editor Terilyn A. Shropshire, ACE Featured in Sundance Co//ab

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Press October 10, 2019

"For All Mankind" DP Stephen McNutt Featured in ICG Magazine

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Press October 8, 2019

Stumptown Review, Lensed by DP Clark Mathis, Production Design by Corey Kaplan

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Press October 4, 2019

"DEAR WHITE PEOPLE" Shot by DP Topher Osborn Returns to Netflix for Its Fourth and Final Season

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Press October 4, 2019

"DOLEMITE IS MY NAME" Review, Production Design by Clay A. Griffith

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Press September 14, 2019

Toronto Film Review: "DOLEMITE IS MY NAME," Production Design by Clay A. Griffith, Is A Total Motherf--kin Blast

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Press September 5, 2019

"KNIVES OUT," Lensed by Steve Yedlin, ASC Film Review: TIFF 2019

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Press September 3, 2019

Indie Wire 30 Cinematographers to Watch This Fall Awards Season, Featuring Steve Yedlin, ASC and Eric Branco

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Press September 2, 2019

"BARRY" Stunt Coordinator Wade Allen Breaks Down That Fight Scene With A Little Girl

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Press August 22, 2019

Congratulating Maryann Brandon, ACE for Her Feature in Variety's Artisans Elite and Robert E. Arnold for His Feature in the "Up Next" Category

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Press August 16, 2019

"DAVID MAKES MAN," Lensed by DP Todd A. Dos Reis, ASC Is a Complex Portrait of Black Boyhood

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Press August 9, 2019

"LUCY IN THE SKY," Production Design by Stefania Cella and Edited by Regis Kimble, Lands Fall Premiere Date

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Press August 6, 2019

"CARNIVAL ROW" Produced by Gideon Amir, Lensed by DP Theo Van de Sande, ASC, and Edited by Michael Ruscio, ACE Trailer Drop

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Press July 13, 2019

Legion Season 3, Produced and Edited by Regis Kimble, Offers A Fresh Twist On Time Travel

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Press July 9, 2019

Eddy Cue of Apple TV+ Praises DICKINSON, PD by Loren Weeks, and FOR ALL MANKIND, Lensed by Stephen McNutt, ASC

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Press June 21, 2019

Women In Media Interview: Production Design with Chloe Arbiture

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Press June 18, 2019

'Queen Sugar,' 'Insecure' Ayanna James Breaks Down Looks That "Showcase Black Culture"

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Press June 17, 2019

Terilyn A. Shropshire, ACE: "When They See Us" Editors Discuss Balancing POVs, Ava DuVernay and the Central Park Five

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Press June 3, 2019

Terilyn A. Shropshire, ACE on Editing ‘When They See Us’ – “It was Difficult. It was Devastating and it was Beautiful.”

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Press May 31, 2019

‘The Umbrella Academy’ Costume Designer Christopher Hargadon Crafts Looks For “Diverse And Eccentric” Group Of Superheroes

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Press May 31, 2019

Season 3 of Jessica Jones from Line Producer Tim Iacofono and Costume Designer Liz Vastola Lands June 14th Premiere Date

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Press May 26, 2019

"CROWN VIC," Lensed by DP Thomas Scott Stanton, Sells to Screen Media

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Press May 25, 2019

Sundance Grand Jury Prize Winner 'Clemency,' Lensed by Eric Branco and Edited by Phyllis Housen, Eyes Awards Season Release

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Press May 24, 2019

The Scary Thing About "SWAMP THING," Pilot Production Design by Tony Medina, Is How Good It Is

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Press May 9, 2019

Fox Drama Pick Ups: 'NeXt' Production Design by Dan Clancy, 'Prodigal Son' Edited by Matt Barber, and 'Deputy' Costume Design by Roland Sanchez

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Press May 5, 2019

TRIAL BY FIRE from DP John Guleserian and PD Clay Griffith and the Politics of the Death Penalty

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Press April 30, 2019

ASC Close-Up: David A. Geddes

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Press April 18, 2019

Martin Scorsese’s ‘Rolling Thunder’ Bob Dylan Doc, Edited by David Tedeschi, Hits Netflix June 12

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Press April 15, 2019

Peek Inside the Big Differences in the Homes from ‘Little:' Production Design by Keith Brian Burns

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Press April 14, 2019

Review: LOSERS, Lensed by DP Adam Uhl, Tells Warm Stories About Some of Sports’ Hardest-Luck Cases

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Press April 12, 2019

‘Star Wars: The Rise of Skywalker’ Trailer Drop: Edited by Maryann Brandon, ACE

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Press April 3, 2019

Review: TOO OLD TO DIE YOUNG, Edited by Annie Guidice, Visually Dazzles

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Press April 1, 2019

Vogue: Political Fashion Doesn't Look Like VEEP, But Maybe It Should: Costume Design By Kathleen Felix-Hager

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Press April 1, 2019

TRIAL BY FIRE, from DP John Guleserian and PD Clay A. Griffith, Lands Early Summer Release Date from Roadside

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Press March 29, 2019

"American Woman," Executive Produced by Shea Kammer, Picked Up By Roadside Attractions, Vertical Entertainment

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Press March 27, 2019

In Praise of the Wild Overuse of Slow-Motion in CHEF'S TABLE, Lensed By DP Will Basanta

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Press March 26, 2019

Apple TV+ Announcement: Featuring Work of Clients Dave Blass (PD), Corey Kaplan (PD), Stephen McNutt, ASC (DP), Loren Weeks (PD), and Ian Seabrook (DP)

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Press March 24, 2019

Look of the Week: Costume Designer Christopher Hargadon's Stylized Superheroes in Umbrella Academy

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Press/Festival March 9, 2019

Come As You Are, directed by Richard Wong, Premiers at SXSW

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Press March 4, 2019

Maryann Brandon: Editing with emotion

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Press February 25, 2019

Meet the Cinematographers Behind Some of the Biggest Movies — Who Happen to Be Women, Featuring DP Petra Korner

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Press February 18, 2019

FBI, Lensed by DP Tari Segal, Is Procedural TV Done Right

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Press/Award February 11, 2019

Production Designer Ed Verreaux Receives Lifetime Achievement Award At 2019 ADG Awards

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Press February 9, 2019

DP Nicola Marsh Lenses New Rick Ruben Documentary

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Press February 7, 2019

Erin Orr's Instagram @paperbagwaist Makes Designer Fashions Accessible With Sewing Patterns

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Press January 29, 2019

The 20th Anniversary of Office Space: DP Tim Suhrstedt Weighs In On Its Oral History

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Press January 25, 2019

Watch Costume Designer Christopher Hargadon, Editors Tim Good and Amy Duddleston's Work on Umbrella Academy!

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Press January 18, 2019

Jack Gill and the Campaign For A New Category That Could Save the Oscars

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Press January 10, 2019

Costume Designers Guild Awards: Catherine Adair and Lauren Shapiro Among Nominated

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Press/Award January 8, 2019

Green Book & The Kominsky Method win at Golden Globes

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Press January 1, 2019

Sexual Harassment Resources

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Press/Festival December 5, 2018

Innovative Clients at Sundance 2019

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Press November 27, 2018

National Board Of Review Names ‘Green Book’ Best Picture

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Press November 18, 2018

Stuntman Jack Gill And Family Fought To Save Their Home From Deadly Wildfires

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Press October 31, 2018

'The Man in the High Castle' Is So Good Now Because It's So Real Now

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Press September 21, 2018

20 Years Later, EVE'S BAYOU, Edited by Terilyn A. Shropshire, ACE is Still a Stunning Portrait of Black American Life

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Press September 11, 2018

'Green Book': Film Review | TIFF 2018

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Press August 21, 2018

Theo Van de Sande, ASC on working with Wesley Snipes

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Press August 13, 2018

'It's a big, sexy world of sex out there" intros the New Trojan Man

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Press August 1, 2018

Deadline Interview with ‘Ozark’ Cinematographer Ben Kutchins

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Press July 26, 2018

Cinematographer Robert Reed Altman Talks ‘Bones’, ‘Good Girls’ & His Career

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Press July 13, 2018

It’s the Movie Hit of the Summer: Kissing Booth

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Press June 22, 2018

A Show That Is Changing the Look of Half-Hour Comedy

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Press June 12, 2018

Jacques Gravett, ACE, 13 Questions Why

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Press June 10, 2018

Adweek’s Creative 100: Meet the Multitalented Masters Behind Today’s Most Innovative Work

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Press April 3, 2018

A BODY ELECTRIC

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Press March 13, 2018

Rising Stars of Cinematography 2018

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Press January 24, 2018

DP Sam Chase on PAINT

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Press November 13, 2017

‘Downsizing’ PD Stefania Cella On Contemplating What It Means To Be Five Inches Tall

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Press November 13, 2017

'Downsizing': How the Cinematography Got the Right Proportions

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Press October 30, 2017

I’m Dying Up Here: Designing the Seventies

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Press September 7, 2017

Meet Ayanna James, the costume designer who brings L.A. style to HBO's 'Insecure'

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Press August 24, 2017

How 8 Emmys Categories Are Celebrating Women Behind the Scenes, Including PD Chloe Arbiture

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Press August 18, 2017

Fast Production on ‘Drunk History’ Tests Crew’s Skills, Production Design by Chloe Arbiture

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Press January 3, 2014

Eric Haase - Island Style

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Press February 14, 2012

ASC Career in Television Award Winner: William Wages

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