Press November 25, 2020

Gold Derby Meet the BTL Experts Panel Featuring Director of Photography Bryce Fortner

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Press November 25, 2020

Costume Designer Kathleen Felix-Hager on Outfitting Kristen Stewart in HAPPIEST SEASON

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Award November 24, 2020

Grammys 2021: LINDA RONSTADT: THE SOUND OF MY VOICE; Edited by Jake Pushinsky, ACE; Nominated for Best Music Film

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Press November 22, 2020

Pandemic Players Presents RAISING ARIZONA Table Read, Directed by Matt Barber, to Benefit Covenant House

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Press November 20, 2020

Review: HAPPIEST SEASON — Lensed by John Guleserian, Production Design by Theresa Guleserian, Costume Design by Kathleen Felix-Hager, and Edited by Melissa Bretherton, ACE

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Press November 18, 2020

Costume Designer Kathleen Felix-Hager on HAPPIEST SEASON and the Importance Outerwear

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Award November 15, 2020

People's Choice Awards 2020 | Winning and Nominated Projects Stacked with Innovative Clients' Work

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Press November 11, 2020

Review: AUNTY DONNA’S BIG OL’ HOUSE OF FUN, Production Design by Leigh Poindexter, is a Pure Dose of Sketch Comedy Playfulness

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Press November 9, 2020

First Trailer for HAPPIEST SEASON — Lensed by John Guleserian, Production Design by Theresa Guleserian, Costume Design by Kathleen Felix-Hager, and Edited by Melissa Bretherton, ACE

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Press November 5, 2020

First Look at THE UNITED STATES VS. BILLIE HOLIDAY, Production Design by Daniel Dorrance

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Press November 4, 2020

How HOLIDATE Costume Designer Helen Huang Used Vintage Fashion to Differentiate Emma Roberts from 'Every Other Rom-Com Girl'

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Press November 2, 2020

WITH DRAWN ARMS, Edited by Jake Pushinsky, ACE: The Tommie Smith Documentary, Lands At Starz And A Gets Premiere Date

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Press October 28, 2020

Costume Designer Helen Huang Talks Working on HOLIDATE, Her Creative Process, and More!

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Press October 28, 2020

Emma Roberts Has a Cute Outfit For Every. Dang. Holiday. in HOLIDATE, Costume Design by Helen Huang

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Press October 28, 2020

DANNY BOY, Lensed by Adam Gillham: Anthony Boyle, Toby Jones Headline BBC Drama On War Hero’s Fall From Grace

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Press October 20, 2020

AUNTY DONNA’S BIG OL’ HOUSE OF FUN, Production Design by Leigh Poindexter, Gets Trailer and Release Date

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Press October 15, 2020

Behind the Scenes of SOCIAL DISTANCE, Production Design by Ryan Berg and Edited by Amy Fleming — How Netflix's Pandemic Series Came Together

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Press October 15, 2020

Review: SOCIAL DISTANCE, Production Design by Ryan Berg and Edited by Amy Fleming, Captures All Your Quarantine Feels

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Press October 14, 2020

Oscars 2021: Netflix Reveals Three Diverse, Social Action Animated Shorts — Including COPS AND ROBBERS, Edited by Terilyn A. Shropshire, ACE

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Press October 13, 2020

First Trailer for I’M YOUR WOMAN, Lensed by Bryce Fortner | The 1970s Crime Drama That Will Open AFI Fest

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Press October 12, 2020

Gerard Butler Action Pic GREENLAND, Production Design by Clay Griffith, Sets Year-End PVOD Release Date

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Press October 12, 2020

Interview: Cinematographer Eric Branco on All That Goes Into Getting a Shot in THE FORTY-YEAR-OLD VERSION

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Press October 10, 2020

THE FORTY-YEAR-OLD VERSION DP Eric Branco Experimented With Film Stock, Lighting in Radha Blank’s B&W Comedy

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Press October 9, 2020

Oreo Brings a Rainbow Message to this Touching Tale of Parenthood in New Ad, Lensed by Bianca Cline

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Press October 8, 2020

How Top Cinematographers, Including John Brawley, Are Working With New Safety Protocols

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Press October 8, 2020

Netflix Reveals the Trailer for UNSOLVED MYSTERIES VOLUME 2, Lensed by Matthew Chavez

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Press October 6, 2020

ALMOST FAMOUS, Production Design by Clay Griffith, at 20: Cameron Crowe, Patrick Fugit and Michael Angarano Look Back on the Classic Movie

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Press October 5, 2020

Review: NEXT, Production Design by Daniel Clancy - AI Stands for ‘Alarming Intelligence’ on Fox’s Slick Sci-Fi Series

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Press October 2, 2020

The FORTY-YEAR-OLD VERSION, Lensed by Eric Branco | One of the Year’s Best Movie is Coming to Netflix

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Press September 29, 2020

First Trailer and Release Date for HOLIDATE, Produced by Jenny Hinkey & David Grace (Add'l Photography) and Costume Design by Helen Huang

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Press September 22, 2020

PEN15 Is Back! And So Are Its Very Good Clothes, Costume Design Melissa Walker

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Press September 17, 2020

Review: PEN15 Goes Deeper in Season 2, Costume Design by Melissa Walker

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Press September 17, 2020

THE OPENING ACT, Edited by Sandra Granovsky, Gets Trailer and Release Date

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Press September 17, 2020

What to Watch: TRINKETS S2, Costume Design by Erin Orr and Edited by Karoliina Tuovinen

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Press September 17, 2020

Costume Designer Melissa Walker on PEN15 Season 2 and the Fashion Nostalgia

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Award September 12, 2020

DP Eric Koretz Awarded the Bisato d'Or Prize for MOSQUITO STATE at Venice Film Festival

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Press September 11, 2020

Official Trailer and Exclusive Music by Mary J. Blige for BELLY OF THE BEAST, Lensed by Bianca Cline

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Press September 7, 2020

Reviews Roundup: ONE NIGHT IN MIAMI, Produced by Paul Davis, is a 'Vibrant' Knockout

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Press September 3, 2020

Review: RAISED BY WOLVES, Edited by Michael Ruscio, ACE

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Press September 2, 2020

The Martini Episode #123 with DP Tari Segal

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Press September 1, 2020

How COBRA KAI, Production Design by Ryan Berg, Went from Obscurity to No. 1 on Netflix

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Festival August 29, 2020

EditFest Global 2020 Featuring Maryann Brandon, ACE; Terilyn Shropshire, ACE; Jacques Gravett, ACE; and Mark Hartzell, ACE

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Press August 28, 2020

Review: YES, GOD, YES - Lensed by Todd A. Somodevilla - is a Sweetly Innocent Sex Comedy

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Press August 28, 2020

What THE END OF THE F***ING WORLD, Lensed by Benedict Spence, Can Teach Us About Simplistic Cinematography

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Press August 26, 2020

THE FORTY-YEAR-OLD VERSION, Lensed by Eric Branco, Trailer: Radha Blank’s Sundance Winner Is a Must-See on Netflix

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Press August 26, 2020

Bella Thorne Has Already Made $2 Million on OnlyFans - Promo Lensed by Matthew Chavez

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Festival August 25, 2020

TIFF 2020: THE WATER MAN, Production Design by Laurence Bennett and Costume Supervision by Erin Orr, Set to Premiere

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Press August 25, 2020

BlackStar Film Festival | Cinematography Roundtable Featuring Eric Branco

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Press August 24, 2020

LUCIFER Season 5, Lensed by Tom Camarda, Becomes Biggest TV Series Opening Weekend Debut on Netflix

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Press August 20, 2020

TEENAGE BOUNTY HUNTERS, Edited by Amy Fleming and 1st Assistant Director Anna Notaridas, Is One Of Netflix’s Best Shows Of 2020

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Press August 14, 2020

Review: SPREE, Lensed by Jeff Leeds Cohn, is like Joker for the Extremely Online Generation

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Press August 14, 2020

OZARK Cast and Crew Discuss Season 3 Expansion and Evolution, Featuring Armando Salas, ASC

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Press August 5, 2020

First Trailer and Release Date for RAISED BY WOLVES, Edited by Michael Ruscio, ACE

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Press August 4, 2020

AWAY - VFX Supervisor Victor Scalise: How the Netflix Astronaut Drama Became More Relevant During Coronavirus Lockdown

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Press August 3, 2020

Netflix's THE OLD GUARD Was Built By a Post-Production Team Made Up of 85 Percent Women, Including Terilyn A. Shropshire, ACE

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Press August 3, 2020

How Production Designer Ruth Ammon Recreated 1897 New York City in Modern-Day Budapest on THE ALIENIST

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Press August 3, 2020

Making Movies is Hard Podcast: Flexing Your Storytelling Muscles with Terilyn A. Shropshire, ACE

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Award July 29, 2020

Emmys 2020: Congratulations to Ben Kutchins and Armando Salas, ASC on their Outstanding Cinematography Nominations

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Festival July 29, 2020

Venice Film Festival 2020: MOSQUITO STATE, Lensed by Eric Koretz and Edited by Andrew Hafitz, Premieres

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Award July 28, 2020

Emmys 2020: Congratulations to Our Clients Who Worked on This Year’s Nominated Projects

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Press July 26, 2020

ASC Close-Up: John Newby, ASC

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Press July 26, 2020

THE KISSING BOOTH 2 - Edited by Paul Millspaugh - Netflix’s Most-Watched Movie, Turns TWILIGHT Into A Teen-Friendly Romantic Comedy

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Press July 24, 2020

Review: THE KISSING BOOTH 2, Edited by Paul Millspaugh

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Press July 23, 2020

ALMOST FAMOUS, Production Design by Clay Griffith: The Oral History of a Golden God’s Acid Trip

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Press July 23, 2020

REPRESENT: The African American Experience in Post-Production, Featuring Terilyn A. Shropshire, ACE and Moderated by Michael Ruscio, ACE

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Press July 23, 2020

Dads on Film Podcast: Director of Photography Eric Branco

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Press July 23, 2020

Review: YES, GOD, YES - Lensed by Todd Somodevilla - A Remarkable First Feature About a Catholic Girl’s Sexual Rebellion

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Press July 23, 2020

Interview with THE ALIENIST: ANGEL OF DARKNESS Production Designer Ruth Ammon

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Press July 23, 2020

First Trailer for UTOPIA, Edited by Lisa Bromwell, ACE and Scott Turner

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Press July 23, 2020

SPREE, Lensed by Jeff Leeds Cohn, Gets Release Date and Trailer

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Press July 23, 2020

First Trailer for ARCHENEMY, Lensed by Halyna Hutchins

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Press July 21, 2020

The Underwater Podcast: Director of Photography Ian Seabrook

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Press July 20, 2020

The Rough Cut Podcast: Terilyn A. Shropshire, ACE on THE OLD GUARD

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Press July 20, 2020

STREET FOOD: LATIN AMERICA - Lensed by Matthew Chavez - Balances Culinary Escapism, Superb Cinematography, And Cultural Respect

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Press July 20, 2020

SCOTT PILGRIM VS. THE WORLD Cast Reunite for 10th Anniversary Charity Table Read, Edited by Jeffrey Asher

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Press July 18, 2020

How THE BABY-SITTERS CLUB, Costume Design by Cynthia Summers, Reinvented Its Style For a New Generation

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Press July 17, 2020

How Production Designer Ruth Ammon and Her Team Used Budapest to Create 1897 New York for THE ALIENIST Season 2

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Press July 17, 2020

Production Designer Ruth Ammon on THE ALIENIST: ANGEL OF DARKNESS

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Press July 17, 2020

THE SECRET: DARE TO DREAM, Production Design by Denny Dugally, Sets PVOD Release Date

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Press July 17, 2020

"Trivia" About THE OLD GUARD, Edited by Terilyn A. Shropshire, ACE

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Press July 16, 2020

Ashley Heathcock, Costume Designer Extraordinaire!

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Press July 15, 2020

Conversation with Cinematographer​ Chris LaVasseur about WARRIOR NUN

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Press July 14, 2020

“Can You Shoot Action?” | Director Gina Prince-Bythewood and Editor Terilyn A. Shropshire, ACE on THE OLD GUARD and LOVE & BASKETBALL’s 20th Anniversary

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Press July 10, 2020

Kathleen Felix-Hager, Costume Designer of SPACE FORCE, Reveals Secrets to Creating Sci-Fi Looks

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Press July 9, 2020

Terilyn Shropshire, ACE and Director Gina Prince-Bythewood on Being Historical Firsts for THE OLD GUARD

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Press July 7, 2020

THE OLD GUARD Editor Terilyn Shropshire, ACE on Cutting to the Heart of the Action

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Press July 7, 2020

The Cinematography Podcast: DP John Brawley Discusses THE GREAT, Creating His Visual Manifesto for the Satiric Show, and More

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Press July 6, 2020

Depth of Emotion | DP Oren Soffer on Short SEE YOU SOON

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Press July 6, 2020

Monica Raymund ELLE Feature, Photos by DP Tari Segal

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Press July 3, 2020

Devil In The Details | DPs Ben Kutchins and Armando Salas, ASC on OZARK S3

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Press June 30, 2020

OZARK S3 | The Backdrop with Armando Salas, ASC

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Press June 30, 2020

Netflix Debuts Short Film Collection HOMEMADE, Featuring Work by DP John Guleserian and DP Daria D'Antonio

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Press June 29, 2020

First Trailer for PSYCH 2: LASSIE COME HOME, Costume Design by Michelle Hunter

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Press June 26, 2020

Mississippi Burning | Director of Photography Nicola Daley, ACS on PARADISE LOST

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Press June 26, 2020

YES, GOD, YES, Lensed by Todd A. Somodevilla, Gets Release Date and Trailer

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Press June 24, 2020

ASC Clubhouse Conversations — OZARK with DP Armando Salas, ASC

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Press June 23, 2020

Why CANDYMAN, Lensed by John Guleserian, Is The Most Important Horror Movie Of 2020

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Press June 22, 2020

Unlikely Heroes | The Production Design of THE BOYS by Dave Blass

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Press June 19, 2020

STUMPTOWN | Building a World of Graphic Reality with Production Designer Corey Kaplan

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Press June 18, 2020

First Look at UPSIDE-DOWN MAGIC, Production Design by Bill Boes

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Press June 17, 2020

Women In Media Pride Virtual Brunch Featuring DP Sandra Valde-Hansen

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Festival June 16, 2020

SECOND TEAM, Lensed by Robert E. Arnold, In Competition at ShortFest

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Press June 15, 2020

How Costume Designer Ashley Heathcock Turned a Chance Encounter Into a Career

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Press June 12, 2020

ASC Welcomes Armando Salas as a New Member

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Press June 12, 2020

Art Director Jace Ford on Lady Gaga's "G.U.Y." Video Set in the Iconic California Castle

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Press June 11, 2020

SPACE FORCE | The Backdrop with Costume Designer Kathleen Felix-Hager

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Award June 10, 2020

Peabody Awards: DAVID MAKES MAN (DP Todd Dos Reis, ASC), DICKINSON (PD Loren Weeks), RAMY (DP Claudio Rietti), and WHEN THEY SEE US (ED Terilyn A. Shropshire, ACE) Among Winners

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Press June 10, 2020

The Best TV Shows of 2020, So Far - Featuring Work from DP John Brawley and DP Rhet Bear

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Press June 8, 2020

Creator Tony McNamara On Mixing Funny With Formality in THE GREAT, Lensed by John Brawley

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Press May 28, 2020

McDonald's "Light's On" Ad Brought Together Various DPs From Across the US, Including Bjorn Amundsen and Sean Porter

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Press May 27, 2020

Review: RAMY Season 2, Lensed by Claudio Rietti — A Saintly Sinner’s Superb Return

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Press May 25, 2020

"Not a Gun" Campaign, Production Design by Jace Ford, Highlights Racially Biased Police Violence

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Award May 21, 2020

Leo Awards: Congratulations to David Geddes, ASC for his Best Direction Nomination

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Award May 21, 2020

Daytime Emmys 2020: JUST ADD MAGIC (Produced by Pixie Wespiser and Lensed by Mark Doering-Powell, ASC) Receives Two Nominations

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Press May 21, 2020

THE ALIENIST: ANGEL OF DARKNESS, Producer by Pavlina Hatopius and Production Design by Ruth Ammon, Gets Premiere Date and Trailer

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Press May 20, 2020

First Look and Trailer: Charlize Theron’s Immortal Warrior in THE OLD GUARD, Edited by Terilyn A. Shropshire, ACE

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Press May 20, 2020

Sia Premieres ‘Together,’ Production Design by Leigh Poindexter, From Her Upcoming Album and Film MUSIC

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Press May 20, 2020

Check Out Olympic Swimmer Simone Manuel's New BIC “Game On” Campaign, Lensed by Spenser Nottage

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Press May 18, 2020

SNOWPIERCER, Costume Design by Cynthia Summers, Series Premiere Tops Sunday Cable Programming

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Press May 17, 2020

Elle Fanning on Growing Up and THE GREAT, Lensed by John Brawley

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Press May 15, 2020

The Academy Celebrates 20th Anniversary of LOVE & BASKETBALL, Edited by Terilyn A. Shropshire, ACE

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Press May 13, 2020

ASC Spring 2020 Photo Gallery Featuring Work by Gregg Heschong, ASC

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Press May 13, 2020

DP Scott Peck on the Different Lenses that Helped Bring STARGIRL to Life

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Press May 12, 2020

Check Out THE GOOD LORD BIRD! With Work by IA Clients: Shea Kammer, Padraic McKinley, O'Shea Read, Sue Blainey, ACE & Christopher Nelson, ACE

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Press May 8, 2020

EB Studios Artist Spotlight with Costume Designer Ashley Heathcock

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Press May 8, 2020

Review: THE GREAT, Lensed by John Brawley

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Press May 5, 2020

First Look and Trailer: SPACE FORCE, Costume Design by Kathleen Felix-Hager

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Press May 5, 2020

THE BLACKLIST, Production Design by Nick Lundy, Uses Graphic Novel-Style Animation To Finish Season 7 Finale

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Press May 5, 2020

In His Latest Comedy Special Jerry Seinfeld Jumped Out of a Helicopter, Lensed by Jay Feather

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Press April 26, 2020

Review: INSECURE's Best Episode Yet, Directed by Mark Sadlek

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Press April 25, 2020

Review: NEVER HAVE I EVER, Lensed by Rhet Bear, is a Smart, Sweet Teen Romp

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Press April 25, 2020

Nicola Daley, ASC: Shooting Paradise

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Press April 24, 2020

Review: 1BR, Edited by Rich Fox

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Press April 17, 2020

Review: ENDINGS, BEGINNINGS, Produced by Paul Davis

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Festival April 16, 2020

Cannes 2020: What Was (and Still Might Be) In The Running, Feature Working from DP Eli Arenson

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Press April 15, 2020

KNIVES OUT, Lensed by Steve Yedlin ASC, Ranks No. 18 On 2019 Most Valuable Blockbuster Tournament

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Press April 15, 2020

Review: OUTER BANKS, Produced by Tim Iacofano

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Press April 9, 2020

LUCY IN THE SKY | Navigating the Journey from Space to Earth with Production Designer Stefania Cella

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Press April 8, 2020

HOMECOMING S2, CD Molly Maginnis and ED Matt Ramsey, First Trailer and Date Announcement

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Press April 7, 2020

DP Catherine Goldschmidt's Smart Solutions for Quibi’s DUMMY

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Press April 1, 2020

ASC Close-Up: Gregg Heschong

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Press March 31, 2020

Jake Pushinsky, ACE on the Art of the Cut Podcast

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Press March 27, 2020

ASC Close-Up: Todd A. Dos Reis

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Press March 26, 2020

Review: OZARK Season 3, Lensed by Ben Kutchins and Armando Salas

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Press March 17, 2020

STARGIRL Review: A Musical Charmer, Lensed by Bryce Fortner

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Press March 10, 2020

Eric Branco Named One of AC’s Rising Stars of Cinematography

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Press March 10, 2020

Review of Client Brent Crowell's Most Recent Episode of THE FLASH

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Press March 8, 2020

"Family Business: Supernatural" - Serge Ladouceur, CSC's Feature in American Cinematographer

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Press March 6, 2020

Quibi Announcement: Featuring Work of DPs Topher Osborn and Luca Del Puppo

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Press March 6, 2020

Costume Designer Ashley Heathcock on MAGNUM P.I. and Her Team

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Press March 4, 2020

5 Tips from Acclaimed Editor Michael Ruscio, ACE

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Award March 1, 2020

Tish Monaghan and Cynthia Summers Win CAFTCAD Awards

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Festival February 24, 2020

SXSW 2020 Stacked with Innovative Clients' Work

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Award February 19, 2020

Daria D'Antonio Nominated for Best Cinematography at the 2020 David di Donatello Awards

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Press February 18, 2020

THE CALL OF THE WILD Editor David Heinz Opens Up About Adapting the Beloved Novel

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Press February 16, 2020

Interview: David Heinz Talks THE CALL OF THE WILD, Editing, and More!

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Press February 13, 2020

Review: THE PHOTOGRAPH, Production Design by Loren Weeks, Casts a Seductive if Intermittent Spell

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Award February 7, 2020

Clay Griffith Wins Outstanding Production Design at Black Reel Awards

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Press February 6, 2020

Cinematographer Steve Yedlin, ASC Wants to End the Film-vs.-Digital Debate

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Press February 6, 2020

Costume Designer Elisabeth Vastola Discusses All the Fashion References in the KATY KEENE Pilot

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Festival February 5, 2020

Sundance 2020: THE 40-YEAR-OLD VERSION, Lensed by Eric Branco, Sells to Netflix

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Press February 5, 2020

LA Times Review: BRIARPATCH, Edited by Gina Hirsch, and INTERROGATION, Lensed by John Newby, ASC

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Festival January 31, 2020

Sundance 2020: BAD HAIR, Lensed by Topher Osborn, Sells to Hulu

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Festival January 31, 2020

Sundance 2020: SPREE, Lensed by Jeff Leeds Cohn, Sells to RLJE Films

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Press January 17, 2020

Zac Efron Stars in New Campaign for Bombas Socks Lensed by DP Luca Fantini

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Award January 17, 2020

Jake Pushinsky, ACE Wins Eddie Award for WHAT’S MY NAME

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Press January 14, 2020

KNIVES OUT DP Steve Yedlin, ASC's Interview on Go Creative Show

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Press January 13, 2020

Great Movies Completely Rejected by the 2020 Oscars Featuring Work by Innovative Clients

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Award January 10, 2020

NAACP Awards: Clay Griffith and Terilyn A. Shropshire, ACE's Work Featured in This Year's Nominees

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Press January 8, 2020

PARTY OF FIVE (Production Design by Randal Groves) is Both Nostalgically Sweet and Bracingly Current

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Press January 1, 2020

Loren Weeks, Production Designer of DICKINSON, Featured in ICG Magazine

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Press December 30, 2019

Production Designer Corey Kaplan Opens Up About TRUTH BE TOLD, THE X-FILES, And More

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Press December 26, 2019

How CLEMENCY Cinematographer Eric Branco Went From Acting to Behind the Camera

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Press December 20, 2019

Work by Innovative Artists' Clients Featured in 2019's Most Watched Shows Worldwide

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Press December 18, 2019

LOST IN SPACE Season Two Is an "Immersive Adventure", Edited by Mark Hartzell, Costume Design by Christine Thomson

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Award December 16, 2019

San Diego Film Critics Society Nominates Production Designer Clay Griffith for DOLEMITE IS MY NAME

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Award December 11, 2019

Congratulations to Double Nominee Jake Pushinsky, ACE (LINDA RONSTADT, WHAT'S MY NAME) and Nominee Terilyn A. Shropshire, ACE (WHEN THEY SEE US) on their ACE Award Nominations

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Press December 11, 2019

STAR WARS Editor Maryann Brandon Balances Story and Character

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Award December 11, 2019

Black Reel Awards: DOLEMITE IS MY NAME (Production Design by Clay Griffith) Receives Ten Nominations, CLEMENCY (Lensed by Eric Branco, Edited by Phyllis Housen) Receives Seven

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Award December 10, 2019

Congratulations to Cynthia Summers and Lauren Shapiro on Their CDG Award Nominations

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Award December 10, 2019

Congratulations to Dave Blass on his ADG Award Nomination for THE BOYS

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Award December 9, 2019

Golden Globes 2020: Congratulations to Our Clients Who Worked on This Year’s Nominated Projects

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Award December 5, 2019

KNIVES OUT (DP Steve Yedlin) and MARRIAGE STORY (Art Director NY Unit, Joshua Petersen, Costume Supervisor Melissa Walker) Among AFI's Motion Pictures of the Year

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Festival December 5, 2019

Congratulations to our Innovative Artists Production Clients Headed to Sundance 2020

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Award December 4, 2019

National Board of Review Names Top Films of 2019, Work by Four Innovative Clients Featured

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Press December 2, 2019

KNIVES OUT Director of Photography Steve Yedlin Featured in Indie Wire's Oscar Cinematography Survey

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Press December 1, 2019

Privacy Policy- December 2019

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Press November 30, 2019

TRUTH BE TOLD Showrunner Discusses Adapting the Series for Apple TV+, Production Design by Corey Kaplan

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Press November 22, 2019

KNIVES OUT is a Criminally Good Time, Featuring Sharp Cinematography by DP Steve Yedlin

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Press November 21, 2019

How the 1970s came to Los Angeles in Eddie Murphy’s DOLEMITE IS MY NAME, Production Design by Clay Griffith

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Press November 21, 2019

Amazon Drops New Teaser Trailer for HUNTERS, Featuring Work by DP Tim Norman, Editors Matt Barber, Amy Duddleston, and Elba Sanchez-Short

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Press November 15, 2019

CROWN VIC: "Graceful, Visual Consistency" by DP Thomas Scott Stanton

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Press November 14, 2019

Sony's Marvel Universe to Release MORBIUS July 2020, Production Design by Stefania Cella

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Press November 14, 2019

Get a First Look at Netflix's New Sketch Series THE ASTRONOMY CLUB, lensed by DP Robert. E Arnold

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Press November 13, 2019

CD Molly Maginnis Discusses Season 2 of HOMECOMING

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Press November 11, 2019

Amazon's THE VOYEURS Finds Its Cast, Production Design by Adam Reamer

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Press November 7, 2019

STAR WARS and CARRIE Editor Paul Hirsch Interviewed By Variety

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Press November 6, 2019

PD Loren Weeks' "Transcendent" Set of DICKINSON Featured in Architectural Digest

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Press October 31, 2019

Watch The Final Season Trailer of "Man In The High Castle", Costume Designer Catherine Adair

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Press October 29, 2019

Apple TV's SEE is a "Visual Spectacle", Aided by Clients Ian Seabrook (Underwater and 2nd Unit DP) and Roger Vernon (2nd Unit DP)

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Award October 25, 2019

Congratulating ED David Tedeschi on his HPA Nomination

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Press October 23, 2019

HBO's "Mrs. Fletcher", Edited by Mark Sadlek and Deb Simone Drops on October 27th

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Press October 22, 2019

Here Comes the Next Season of Silicon Valley, Lensed by Tim Suhrstedt

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Press October 22, 2019

"Greener Grass" Review: "Fabulous Production Design" by Leigh Poindexter

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Press October 21, 2019

"Dolemite is My Name" Production Designer Clay Griffith Interviewed at The Academy

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Press October 18, 2019

"Looking for Alaska" Review: Edited by Matt Ramsey

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Press October 17, 2019

Editor Terilyn A. Shropshire, ACE Featured in Sundance Co//ab

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Award October 10, 2019

DP Claudio Rietti's "Kid Boxer" Honored by Emerging Cinematographer Awards

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Press October 10, 2019

"For All Mankind" DP Stephen McNutt Featured in ICG Magazine

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Press October 8, 2019

Stumptown Review, Lensed by DP Clark Mathis, Production Design by Corey Kaplan

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Press October 4, 2019

"DEAR WHITE PEOPLE" Shot by DP Topher Osborn Returns to Netflix for Its Fourth and Final Season

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Press October 4, 2019

"DOLEMITE IS MY NAME" Review, Production Design by Clay A. Griffith

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Press September 14, 2019

Toronto Film Review: "DOLEMITE IS MY NAME," Production Design by Clay A. Griffith, Is A Total Motherf--kin Blast

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Press September 5, 2019

"KNIVES OUT," Lensed by Steve Yedlin, ASC Film Review: TIFF 2019

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Press September 3, 2019

Indie Wire 30 Cinematographers to Watch This Fall Awards Season, Featuring Steve Yedlin, ASC and Eric Branco

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Press September 2, 2019

"BARRY" Stunt Coordinator Wade Allen Breaks Down That Fight Scene With A Little Girl

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Festival August 24, 2019

"THE GHOST WHO WALKS," Lensed by DP Michael Lockridge, Premieres at Sidewalk Film Festival

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Press August 22, 2019

Congratulating Maryann Brandon, ACE for Her Feature in Variety's Artisans Elite and Robert E. Arnold for His Feature in the "Up Next" Category

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Press August 16, 2019

"DAVID MAKES MAN," Lensed by DP Todd A. Dos Reis, ASC Is a Complex Portrait of Black Boyhood

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Press August 9, 2019

"LUCY IN THE SKY," Production Design by Stefania Cella and Edited by Regis Kimble, Lands Fall Premiere Date

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Press August 6, 2019

"CARNIVAL ROW" Produced by Gideon Amir, Lensed by DP Theo Van de Sande, ASC, and Edited by Michael Ruscio, ACE Trailer Drop

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Festival July 24, 2019

AD ASTRA, Edited by Lee Haugen, In Competition at Venice Film Festival 2019

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Festival July 23, 2019

TIFF 2019 Lineup Stacked with Innovative Clients' Work

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Award July 16, 2019

Primetime Emmys 2019: Wade Allen Receives Outstanding Stunt Coordination Nomination for "Barry"

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Press July 13, 2019

Legion Season 3, Produced and Edited by Regis Kimble, Offers A Fresh Twist On Time Travel

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Press July 9, 2019

Eddy Cue of Apple TV+ Praises DICKINSON, PD by Loren Weeks, and FOR ALL MANKIND, Lensed by Stephen McNutt, ASC

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Press June 21, 2019

Women In Media Interview: Production Design with Chloe Arbiture

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Award June 18, 2019

ICG Names Daniel Bombell One of 10 Recipients of Emerging Cinematographer Awards

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Press June 18, 2019

'Queen Sugar,' 'Insecure' Ayanna James Breaks Down Looks That "Showcase Black Culture"

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Press June 17, 2019

Terilyn A. Shropshire, ACE: "When They See Us" Editors Discuss Balancing POVs, Ava DuVernay and the Central Park Five

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Award June 17, 2019

"Linda Ronstadt: The Sound of My Voice" Edited by Jake Pushinksy, ACE, Wins HBO Audience Award / Best Documentary Feature at Provincetown Film Festival

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Press June 3, 2019

Terilyn A. Shropshire, ACE on Editing ‘When They See Us’ – “It was Difficult. It was Devastating and it was Beautiful.”

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Press May 31, 2019

Season 3 of Jessica Jones from Line Producer Tim Iacofono and Costume Designer Liz Vastola Lands June 14th Premiere Date

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Press May 26, 2019

"CROWN VIC," Lensed by DP Thomas Scott Stanton, Sells to Screen Media

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Press May 25, 2019

Sundance Grand Jury Prize Winner 'Clemency,' Lensed by Eric Branco and Edited by Phyllis Housen, Eyes Awards Season Release

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Press May 24, 2019

The Scary Thing About "SWAMP THING," Pilot Production Design by Tony Medina, Is How Good It Is

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Press May 9, 2019

Fox Drama Pick Ups: 'NeXt' Production Design by Dan Clancy, 'Prodigal Son' Edited by Matt Barber, and 'Deputy' Costume Design by Roland Sanchez

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Press May 5, 2019

TRIAL BY FIRE from DP John Guleserian and PD Clay Griffith and the Politics of the Death Penalty

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Press April 30, 2019

ASC Close-Up: David A. Geddes

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Press April 18, 2019

Martin Scorsese’s ‘Rolling Thunder’ Bob Dylan Doc, Edited by David Tedeschi, Hits Netflix June 12

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Press April 15, 2019

Peek Inside the Big Differences in the Homes from ‘Little:' Production Design by Keith Brian Burns

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Press April 14, 2019

Review: LOSERS, Lensed by DP Adam Uhl, Tells Warm Stories About Some of Sports’ Hardest-Luck Cases

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Press April 12, 2019

‘Star Wars: The Rise of Skywalker’ Trailer Drop: Edited by Maryann Brandon, ACE

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Press April 3, 2019

Review: TOO OLD TO DIE YOUNG, Edited by Annie Guidice, Visually Dazzles

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Festival April 2, 2019

Newport Beach Film Festival Premieres: ETRUSCAN SMILE Line Produced by Paul Davis and PINK WALL Edited by Gina Hirsch

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Press April 1, 2019

Vogue: Political Fashion Doesn't Look Like VEEP, But Maybe It Should: Costume Design By Kathleen Felix-Hager

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Press April 1, 2019

TRIAL BY FIRE, from DP John Guleserian and PD Clay A. Griffith, Lands Early Summer Release Date from Roadside

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Award March 29, 2019

Vida, Production Design by Ruth Ammon (S1) and Edited by Amy E. Duddleston (S2), Wins Outstanding Comedy Series at GLAAD Media Awards

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Press March 29, 2019

"American Woman," Executive Produced by Shea Kammer, Picked Up By Roadside Attractions, Vertical Entertainment

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Press March 27, 2019

In Praise of the Wild Overuse of Slow-Motion in CHEF'S TABLE, Lensed By DP Will Basanta

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Press March 26, 2019

Apple TV+ Announcement: Featuring Work of Clients Dave Blass (PD), Corey Kaplan (PD), Stephen McNutt, ASC (DP), Loren Weeks (PD), and Ian Seabrook (DP)

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Award March 21, 2019

Production Designer Stefania Cella Nominated for Best Production Design at 2019 David Di Donatello Awards

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Award March 21, 2019

Daytime Emmys: Luca del Puppo Nominated for Outstanding Cinematography for "Gymkhana Files"

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Press March 4, 2019

Maryann Brandon: Editing with Emotion

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Press February 25, 2019

Meet the Cinematographers Behind Some of the Biggest Movies — Who Happen to Be Women, Featuring DP Petra Korner

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Press February 18, 2019

FBI, Lensed by DP Tari Segal, Is Procedural TV Done Right

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Press/Award February 11, 2019

Production Designer Ed Verreaux Receives Lifetime Achievement Award At 2019 ADG Awards

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Press February 9, 2019

DP Nicola Marsh Lenses New Rick Ruben Documentary

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Press February 7, 2019

Erin Orr's Instagram @paperbagwaist Makes Designer Fashions Accessible With Sewing Patterns

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Press January 29, 2019

The 20th Anniversary of Office Space: DP Tim Suhrstedt Weighs In On Its Oral History

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Press January 25, 2019

Watch Editors Tim Good and Amy Duddleston's Work on Umbrella Academy!

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Press January 18, 2019

Jack Gill and the Campaign For A New Category That Could Save the Oscars

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Press January 10, 2019

Costume Designers Guild Awards: Catherine Adair and Lauren Shapiro Among Nominated

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Press/Award January 8, 2019

Green Book & The Kominsky Method win at Golden Globes

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Press January 1, 2019

Sexual Harassment Resources

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Press/Festival December 5, 2018

Innovative Clients at Sundance 2019

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Press November 27, 2018

National Board Of Review Names ‘Green Book’ Best Picture

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Press November 18, 2018

Stuntman Jack Gill And Family Fought To Save Their Home From Deadly Wildfires

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Press October 31, 2018

'The Man in the High Castle' Is So Good Now Because It's So Real Now

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Press September 21, 2018

20 Years Later, EVE'S BAYOU, Edited by Terilyn A. Shropshire, ACE is Still a Stunning Portrait of Black American Life

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Press September 11, 2018

'Green Book': Film Review | TIFF 2018

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Festival August 24, 2018

Innovative Clients Featured at TIFF 2018

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Press August 21, 2018

Theo Van de Sande, ASC on working with Wesley Snipes

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Press August 13, 2018

'It's a big, sexy world of sex out there" intros the New Trojan Man

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Press August 1, 2018

Deadline Interview with ‘Ozark’ Cinematographer Ben Kutchins

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Press July 26, 2018

Cinematographer Robert Reed Altman Talks ‘Bones’, ‘Good Girls’ & His Career

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Press July 13, 2018

It’s the Movie Hit of the Summer: Kissing Booth

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Press June 22, 2018

A Show That Is Changing the Look of Half-Hour Comedy

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Press June 12, 2018

Jacques Gravett, ACE, 13 Questions Why

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Press June 10, 2018

Adweek’s Creative 100: Meet the Multitalented Masters Behind Today’s Most Innovative Work

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Press April 3, 2018

A BODY ELECTRIC

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Press March 13, 2018

Rising Stars of Cinematography 2018

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Press January 24, 2018

DP Sam Chase on PAINT

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Press November 13, 2017

‘Downsizing’ PD Stefania Cella On Contemplating What It Means To Be Five Inches Tall

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Press November 13, 2017

'Downsizing': How the Cinematography Got the Right Proportions

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Press October 30, 2017

I’m Dying Up Here: Designing the Seventies

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Press September 7, 2017

Meet Ayanna James, the costume designer who brings L.A. style to HBO's 'Insecure'

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Press August 24, 2017

How 8 Emmys Categories Are Celebrating Women Behind the Scenes, Including PD Chloe Arbiture

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Press August 18, 2017

Fast Production on ‘Drunk History’ Tests Crew’s Skills, Production Design by Chloe Arbiture

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Press January 3, 2014

Eric Haase - Island Style

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Press February 14, 2012

ASC Career in Television Award Winner: William Wages

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