Press March 31, 2020

Jake Pushinsky, ACE on the Art of the Cut Podcast

View Article
Press March 27, 2020

ASC Close-Up: Todd A. Dos Reis

View Article
Press March 26, 2020

Review: OZARK Season 3, Lensed by Ben Kutchins and Armando Salas

View Article
Press March 17, 2020

STARGIRL Review: A Musical Charmer, Lensed by Bryce Fortner

View Article
Press March 10, 2020

Eric Branco Named One of AC’s Rising Stars of Cinematography

View Article
Press March 10, 2020

Review of Client Brent Crowell's Most Recent Episode of THE FLASH

View Article
Press March 8, 2020

"Family Business: Supernatural" - Serge Ladouceur, CSC's Feature in American Cinematographer

View Article
Press March 6, 2020

Quibi Announcement: Featuring Work of DPs Topher Osborn and Luca Del Puppo

View Article
Press March 6, 2020

Costume Designer Ashley Heathcock on MAGNUM P.I. and Her Team

View Article
Press March 4, 2020

5 Tips from Acclaimed Editor Michael Ruscio, ACE

View Article
Award March 1, 2020

Tish Monaghan and Cynthia Summers Win CAFTCAD Awards

View Article
Festival February 24, 2020

SXSW 2020 Stacked with Innovative Clients' Work

View Article
Award February 19, 2020

Daria D'Antonio Nominated for Best Cinematography at the 2020 David di Donatello Awards

View Article
Press February 18, 2020

THE CALL OF THE WILD Editor David Heinz Opens Up About Adapting the Beloved Novel

View Article
Press February 16, 2020

Interview: David Heinz Talks THE CALL OF THE WILD, Editing, and More!

View Article
Press February 13, 2020

Review: THE PHOTOGRAPH, Production Design by Loren Weeks, Casts a Seductive if Intermittent Spell

View Article
Award February 7, 2020

Clay Griffith Wins Outstanding Production Design at Black Reel Awards

View Article
Press February 6, 2020

Cinematographer Steve Yedlin, ASC Wants to End the Film-vs.-Digital Debate

View Article
Press February 6, 2020

Costume Designer Elisabeth Vastola Discusses All the Fashion References in the KATY KEENE Pilot

View Article
Festival February 5, 2020

Sundance 2020: THE 40-YEAR-OLD VERSION, Lensed by Eric Branco, Sells to Netflix

View Article
Press February 5, 2020

LA Times Review: BRIARPATCH, Edited by Gina Hirsch, and INTERROGATION, Lensed by John Newby, ASC

View Article
Festival January 31, 2020

Sundance 2020: BAD HAIR, Lensed by Topher Osborn, Sells to Hulu

View Article
Festival January 31, 2020

Sundance 2020: SPREE, Lensed by Jeff Leeds Cohn, Sells to RLJE Films

View Article
Press January 25, 2020

Review: SPREE, Lensed by Jeff Leeds Cohn, is like Joker for the Extremely Online Generation

View Article
Press January 17, 2020

Zac Efron Stars in New Campaign for Bombas Socks Lensed by DP Luca Fantini

View Article
Award January 17, 2020

Jake Pushinsky, ACE Wins Eddie Award for WHAT’S MY NAME

View Article
Press January 14, 2020

KNIVES OUT DP Steve Yedlin, ASC's Interview on Go Creative Show

View Article
Press January 13, 2020

Great Movies Completely Rejected by the 2020 Oscars Featuring Work by Innovative Clients

View Article
Award January 10, 2020

NAACP Awards: Clay Griffith and Terilyn Shropshire's Work Featured in This Year's Nominees

View Article
Press January 8, 2020

PARTY OF FIVE (Production Design by Randal Groves) is Both Nostalgically Sweet and Bracingly Current

View Article
Press January 1, 2020

Loren Weeks, Production Designer of DICKINSON, Featured in ICG Magazine

View Article
Press December 30, 2019

Production Designer Corey Kaplan Opens Up About TRUTH BE TOLD, THE X-FILES, And More

View Article
Press December 26, 2019

How CLEMENCY Cinematographer Eric Branco Went From Acting to Behind the Camera

View Article
Press December 20, 2019

Work by Innovative Artists' Clients Featured in 2019's Most Watched Shows Worldwide

View Article
Press December 18, 2019

LOST IN SPACE Season Two Is an "Immersive Adventure", Edited by Mark Hartzell, Costume Design by Christine Thomson

View Article
Award December 16, 2019

San Diego Film Critics Society Nominates Production Designer Clay Griffith for DOLEMITE IS MY NAME

View Article
Award December 11, 2019

Congratulations to Double Nominee Jake Pushinsky (LINDA RONSTADT, WHAT'S MY NAME) and Nominee Terilyn Shropshire (WHEN THEY SEE US) on their ACE Award Nominations

View Article
Press December 11, 2019

STAR WARS Editor Maryann Brandon Balances Story and Character

View Article
Award December 11, 2019

Black Reel Awards: DOLEMITE IS MY NAME (Production Design by Clay Griffith) Receives Ten Nominations, CLEMENCY (Lensed by Eric Branco, Edited by Phyllis Housen) Receives Seven

View Article
Award December 10, 2019

Congratulations to Cynthia Summers and Lauren Shapiro on Their CDG Award Nominations

View Article
Award December 10, 2019

Congratulations to Dave Blass on his ADG Award Nomination for THE BOYS

View Article
Award December 9, 2019

Golden Globes 2020: Congratulations to Our Clients Who Worked on This Year’s Nominated Projects

View Article
Award December 5, 2019

KNIVES OUT (DP Steve Yedlin) and MARRIAGE STORY (Art Director NY Unit, Joshua Petersen, Costume Supervisor Melissa Walker) Among AFI's Motion Pictures of the Year

View Article
Festival December 5, 2019

Congratulations to our Innovative Artists Production Clients Headed to Sundance 2020

View Article
Award December 4, 2019

National Board of Review Names Top Films of 2019, Work by Four Innovative Clients Featured

View Article
Press December 2, 2019

KNIVES OUT Director of Photography Steve Yedlin Featured in Indie Wire's Oscar Cinematography Survey

View Article
Press December 1, 2019

Privacy Policy- December 2019

View Article
Press November 30, 2019

TRUTH BE TOLD Showrunner Discusses Adapting the Series for Apple TV+, Production Design by Corey Kaplan

View Article
Press November 22, 2019

KNIVES OUT is a Criminally Good Time, Featuring Sharp Cinematography by DP Steve Yedlin

View Article
Press November 21, 2019

How the 1970s came to Los Angeles in Eddie Murphy’s DOLEMITE IS MY NAME, Production Design by Clay Griffith

View Article
Press November 21, 2019

Amazon Drops New Teaser Trailer for Hunters, Featuring Work by DP Tim Norman, Editors Matt Barber, Amy Duddleston, and Elba Sanchez-Short

View Article
Press November 15, 2019

CROWN VIC: "Graceful, Visual Consistency" by DP Thomas Scott Stanton

View Article
Press November 14, 2019

Sony's Marvel Universe to Release MORBIUS July 2020, Production Design by Stefania Cella

View Article
Press November 14, 2019

Get a First Look at Netflix's New Sketch Series THE ASTRONOMY CLUB, lensed by DP Robert. E Arnold

View Article
Press November 13, 2019

CD Molly Maginnis Discusses Season 2 of Homecoming

View Article
Press November 11, 2019

Amazon's THE VOYEURS Finds Its Cast, Production Design by Adam Reamer

View Article
Press November 7, 2019

STAR WARS and CARRIE Editor Paul Hirsch Interviewed By Variety

View Article
Press November 6, 2019

PD Loren Weeks' "Transcendent" Set of DICKINSON Featured in Architectural Digest

View Article
Press October 31, 2019

Watch The Final Season Trailer of "Man In The High Castle", Costume Designer Catherine Adair

View Article
Press October 29, 2019

Apple TV's SEE is a "Visual Spectacle", Aided by Clients Ian Seabrook (Underwater and 2nd Unit DP) and Roger Vernon (2nd Unit DP)

View Article
Award October 25, 2019

Congratulating ED David Tedeschi on his HPA Nomination

View Article
Press October 23, 2019

HBO's "Mrs. Fletcher", Edited by Mark Sadlek and Deb Simone Drops on October 27th

View Article
Press October 22, 2019

Here Comes the Next Season of Silicon Valley, Lensed by Tim Suhrstedt

View Article
Press October 22, 2019

"Greener Grass" Review: "Fabulous Production Design" by Leigh Poindexter

View Article
Press October 21, 2019

"Dolemite is My Name" Production Designer Clay Griffith Interviewed at The Academy

View Article
Press October 18, 2019

"Looking for Alaska" Review: Edited by Matt Ramsey

View Article
Press October 17, 2019

Editor Terilyn Shropshire Featured in Sundance Co//ab

View Article
Award October 10, 2019

DP Claudio Rietti's "Kid Boxer" Honored by Emerging Cinematographer Awards

View Article
Press October 10, 2019

"For All Mankind" DP Stephen McNutt Featured in ICG Magazine

View Article
Press October 8, 2019

Stumptown Review, Lensed by DP Clark Mathis, Production Design by Corey Kaplan

View Article
Press October 4, 2019

"DEAR WHITE PEOPLE" Shot by DP Topher Osborn Returns to Netflix for Its Fourth and Final Season

View Article
Press October 4, 2019

"DOLEMITE IS MY NAME" Review, Production Design by Clay A. Griffith

View Article
Press September 14, 2019

Toronto Film Review: "DOLEMITE IS MY NAME," Production Design by Clay A. Griffith, Is A Total Motherf--kin Blast

View Article
Press September 5, 2019

"KNIVES OUT," Lensed by Steve Yedlin, ASC Film Review: TIFF 2019

View Article
Press September 3, 2019

Indie Wire 30 Cinematographers to Watch This Fall Awards Season, Featuring Steve Yedlin, ASC and Eric Branco

View Article
Press September 2, 2019

"BARRY" Stunt Coordinator Wade Allen Breaks Down That Fight Scene With A Little Girl

View Article
Festival August 24, 2019

"THE GHOST WHO WALKS," Lensed by DP Michael Lockridge, Premieres at Sidewalk Film Festival

View Article
Press August 22, 2019

Congratulating Maryann Brandon, ACE for Her Feature in Variety's Artisans Elite and Robert E. Arnold for His Feature in the "Up Next" Category

View Article
Press August 16, 2019

"DAVID MAKES MAN," Lensed by DP Todd A. Dos Reis, ASC Is a Complex Portrait of Black Boyhood

View Article
Press August 9, 2019

"LUCY IN THE SKY," Production Design by Stefania Cella and Edited by Regis Kimble, Lands Fall Premiere Date

View Article
Press August 6, 2019

"CARNIVAL ROW" Produced by Gideon Amir, Lensed by DP Theo Van de Sande, ASC, and Edited by Michael Ruscio, ACE Trailer Drop

View Article
Festival July 24, 2019

AD ASTRA, Edited by Lee Haugen, In Competition at Venice Film Festival 2019

View Article
Festival July 23, 2019

TIFF 2019 Lineup Stacked with Innovative Clients' Work

View Article
Award July 16, 2019

Primetime Emmys 2019: Wade Allen Receives Outstanding Stunt Coordination Nomination for "Barry"

View Article
Press July 13, 2019

Legion Season 3, Produced and Edited by Regis Kimble, Offers A Fresh Twist On Time Travel

View Article
Press July 9, 2019

Eddy Cue of Apple TV+ Praises DICKINSON, PD by Loren Weeks, and FOR ALL MANKIND, Lensed by Stephen McNutt, ASC

View Article
Press June 21, 2019

Women In Media Interview: Production Design with Chloe Arbiture

View Article
Award June 18, 2019

ICG Names Daniel Bombell One of 10 Recipients of Emerging Cinematographer Awards

View Article
Press June 18, 2019

'Queen Sugar,' 'Insecure' Ayanna James Breaks Down Looks That "Showcase Black Culture"

View Article
Press June 17, 2019

Terilyn A. Shropshire, ACE: "When They See Us" Editors Discuss Balancing POVs, Ava DuVernay and the Central Park Five

View Article
Award June 17, 2019

"Linda Ronstadt: The Sound of My Voice" Edited by Jake Pushinksy, ACE, Wins HBO Audience Award / Best Documentary Feature at Provincetown Film Festival

View Article
Press June 3, 2019

Terilyn A. Shropshire, ACE on Editing ‘When They See Us’ – “It was Difficult. It was Devastating and it was Beautiful.”

View Article
Press May 31, 2019

‘The Umbrella Academy’ Costume Designer Christopher Hargadon Crafts Looks For “Diverse And Eccentric” Group Of Superheroes

View Article
Press May 31, 2019

Season 3 of Jessica Jones from Line Producer Tim Iacofono and Costume Designer Liz Vastola Lands June 14th Premiere Date

View Article
Press May 26, 2019

"CROWN VIC," Lensed by DP Thomas Scott Stanton, Sells to Screen Media

View Article
Press May 25, 2019

Sundance Grand Jury Prize Winner 'Clemency,' Lensed by Eric Branco and Edited by Phyllis Housen, Eyes Awards Season Release

View Article
Press May 24, 2019

The Scary Thing About "SWAMP THING," Pilot Production Design by Tony Medina, Is How Good It Is

View Article
Press May 9, 2019

Fox Drama Pick Ups: 'NeXt' Production Design by Dan Clancy, 'Prodigal Son' Edited by Matt Barber, and 'Deputy' Costume Design by Roland Sanchez

View Article
Press May 5, 2019

TRIAL BY FIRE from DP John Guleserian and PD Clay Griffith and the Politics of the Death Penalty

View Article
Press April 30, 2019

ASC Close-Up: David A. Geddes

View Article
Press April 18, 2019

Martin Scorsese’s ‘Rolling Thunder’ Bob Dylan Doc, Edited by David Tedeschi, Hits Netflix June 12

View Article
Press April 15, 2019

Peek Inside the Big Differences in the Homes from ‘Little:' Production Design by Keith Brian Burns

View Article
Press April 14, 2019

Review: LOSERS, Lensed by DP Adam Uhl, Tells Warm Stories About Some of Sports’ Hardest-Luck Cases

View Article
Press April 12, 2019

‘Star Wars: The Rise of Skywalker’ Trailer Drop: Edited by Maryann Brandon, ACE

View Article
Press April 3, 2019

Review: TOO OLD TO DIE YOUNG, Edited by Annie Guidice, Visually Dazzles

View Article
Festival April 2, 2019

Newport Beach Film Festival Premieres: ETRUSCAN SMILE Line Produced by Paul Davis and PINK WALL Edited by Gina Hirsch

View Article
Press April 1, 2019

Vogue: Political Fashion Doesn't Look Like VEEP, But Maybe It Should: Costume Design By Kathleen Felix-Hager

View Article
Press April 1, 2019

TRIAL BY FIRE, from DP John Guleserian and PD Clay A. Griffith, Lands Early Summer Release Date from Roadside

View Article
Award March 29, 2019

Vida, Production Design by Ruth Ammon (S1) and Edited by Amy E. Duddleston (S2), Wins Outstanding Comedy Series at GLAAD Media Awards

View Article
Press March 29, 2019

"American Woman," Executive Produced by Shea Kammer, Picked Up By Roadside Attractions, Vertical Entertainment

View Article
Press March 27, 2019

In Praise of the Wild Overuse of Slow-Motion in CHEF'S TABLE, Lensed By DP Will Basanta

View Article
Press March 26, 2019

Apple TV+ Announcement: Featuring Work of Clients Dave Blass (PD), Corey Kaplan (PD), Stephen McNutt, ASC (DP), Loren Weeks (PD), and Ian Seabrook (DP)

View Article
Press March 24, 2019

Look of the Week: Costume Designer Christopher Hargadon's Stylized Superheroes in Umbrella Academy

View Article
Award March 21, 2019

Production Designer Stefania Cella Nominated for Best Production Design at 2019 David Di Donatello Awards

View Article
Award March 21, 2019

Daytime Emmys: Luca del Puppo Nominated for Outstanding Cinematography for "Gymkhana Files"

View Article
Press/Festival March 9, 2019

Come As You Are, directed by Richard Wong, Premiers at SXSW

View Article
Press March 4, 2019

Maryann Brandon: Editing with emotion

View Article
Press February 25, 2019

Meet the Cinematographers Behind Some of the Biggest Movies — Who Happen to Be Women, Featuring DP Petra Korner

View Article
Press February 18, 2019

FBI, Lensed by DP Tari Segal, Is Procedural TV Done Right

View Article
Press/Award February 11, 2019

Production Designer Ed Verreaux Receives Lifetime Achievement Award At 2019 ADG Awards

View Article
Press February 9, 2019

DP Nicola Marsh Lenses New Rick Ruben Documentary

View Article
Press February 7, 2019

Erin Orr's Instagram @paperbagwaist Makes Designer Fashions Accessible With Sewing Patterns

View Article
Press January 29, 2019

The 20th Anniversary of Office Space: DP Tim Suhrstedt Weighs In On Its Oral History

View Article
Press January 25, 2019

Watch Costume Designer Christopher Hargadon, Editors Tim Good and Amy Duddleston's Work on Umbrella Academy!

View Article
Press January 18, 2019

Jack Gill and the Campaign For A New Category That Could Save the Oscars

View Article
Press January 10, 2019

Costume Designers Guild Awards: Catherine Adair and Lauren Shapiro Among Nominated

View Article
Press/Award January 8, 2019

Green Book & The Kominsky Method win at Golden Globes

View Article
Press January 1, 2019

Sexual Harassment Resources

View Article
Press/Festival December 5, 2018

Innovative Clients at Sundance 2019

View Article
Press November 27, 2018

National Board Of Review Names ‘Green Book’ Best Picture

View Article
Press November 18, 2018

Stuntman Jack Gill And Family Fought To Save Their Home From Deadly Wildfires

View Article
Press October 31, 2018

'The Man in the High Castle' Is So Good Now Because It's So Real Now

View Article
Press September 21, 2018

20 Years Later, EVE'S BAYOU, Edited by Terilyn A. Shropshire, ACE is Still a Stunning Portrait of Black American Life

View Article
Press September 11, 2018

'Green Book': Film Review | TIFF 2018

View Article
Festival August 24, 2018

Innovative Clients Featured at TIFF 2018

View Article
Press August 21, 2018

Theo Van de Sande, ASC on working with Wesley Snipes

View Article
Press August 13, 2018

'It's a big, sexy world of sex out there" intros the New Trojan Man

View Article
Press August 1, 2018

Deadline Interview with ‘Ozark’ Cinematographer Ben Kutchins

View Article
Press July 26, 2018

Cinematographer Robert Reed Altman Talks ‘Bones’, ‘Good Girls’ & His Career

View Article
Press July 13, 2018

It’s the Movie Hit of the Summer: Kissing Booth

View Article
Press June 22, 2018

A Show That Is Changing the Look of Half-Hour Comedy

View Article
Press June 12, 2018

Jacques Gravett, ACE, 13 Questions Why

View Article
Press June 10, 2018

Adweek’s Creative 100: Meet the Multitalented Masters Behind Today’s Most Innovative Work

View Article
Press April 3, 2018

A BODY ELECTRIC

View Article
Press March 13, 2018

Rising Stars of Cinematography 2018

View Article
Press January 24, 2018

DP Sam Chase on PAINT

View Article
Press November 13, 2017

‘Downsizing’ PD Stefania Cella On Contemplating What It Means To Be Five Inches Tall

View Article
Press November 13, 2017

'Downsizing': How the Cinematography Got the Right Proportions

View Article
Press October 30, 2017

I’m Dying Up Here: Designing the Seventies

View Article
Press September 7, 2017

Meet Ayanna James, the costume designer who brings L.A. style to HBO's 'Insecure'

View Article
Press August 24, 2017

How 8 Emmys Categories Are Celebrating Women Behind the Scenes, Including PD Chloe Arbiture

View Article
Press August 18, 2017

Fast Production on ‘Drunk History’ Tests Crew’s Skills, Production Design by Chloe Arbiture

View Article
Press January 3, 2014

Eric Haase - Island Style

View Article
Press February 14, 2012

ASC Career in Television Award Winner: William Wages

View Article